Founded in 1411, Sant’Anna dei Lombardi is one of the most important expressions of the Tuscan Renaissance in Naples. Closely linked to the Aragonese dynasty, above all Alfonso II, the complex reflects the city’s vibrant artistic exchanges during the 15th and 16th centuries.
The church’s nave, lined with five chapels on each side, showcases the collaboration between local and foreign artists active in Naples during the mid 16th century. Renowned contributors include the Spanish painter Pedro Rubiales and the Tuscan Giorgio Vasari, who frescoed the sacristy vault with impressive decorative schemes. Among the artworks preserved, there is a small putto sculpture traditionally attributed to Michelangelo. An highlight of the complex is the “Compianto sul Cristo Morto” (Lamentation over the Dead Christ), admired for its meticulous detail and the intense emotional expressiveness conveyed through the figures gestures and movement. Below the church lies the Crypt of the Abbots, an elliptical hypogeum distinguished by an elegant double ramp staircase. The space is decorated with well preserved frescoes feauturing a sacred grove, centered on a powerful scene of Calvary. Along the walls run a series of scolatoi (drainage seats), connected to the funerary practice of scolatura, which made the crypt a place of both burial and spiritual expiation.






